Tenhi – Saivo – Review

Finland duo Tenhi have had five-years out to focus on making a studio album that channels the wistful moods and spiritual energies that epitomize the neofolk act.  Musical help from around the board always helps and on ‘Saivo’ there’s some beautiful arrangements that turn the album into a spiritual exploration.

                      Continue reading


Farsot – Insects – Review

Germany is historically renowned for hosting a good wealth of successful and innovative bands – whether it’s your Van Der Graaf Generator, Kraftwerk, Kreator, Blind Guardian, Neu, Rammstein – the list is expansive.  The sound of cold, hostile black metal isn’t typically associated with the Bavarian regions, but we have an exception in Farsot.  Truth is, we can call Farsot a black metal band only in a very general sense.  Thankfully, there’s so much more going on in ‘Insects’.  Weaving progressive and dark atmospheric fibres into a blackened framework throughout this second attempt, the five-piece have created an impressively eclectic record.

                         Continue reading

Marionette – Nerve – Review

Third album in, Sweden’s Marionette find themselves sailing down more accessible musical tributaries with ‘Nerve’.  You’ve heard plenty of Swedish melodeath in the past – so what sets this sextet apart from the reams of Gothenburg acts?  Well, what defined Marionette on their two previous records was their astute concentration on melody – a focus we were aware of that could bring a more mainstream broth to the boil.

                                 Continue reading